For my book review, I will be taking a deeper look into Peter Wood’s Novel 1620: A Critical Response to the 1619 Project. 1620 is a critical response to The New York Times 1619 project, the goal of this project as Jake Silverstein put it in the opening remarks of the project: “The goal of The 1619 Project, a major initiative from The New York Times that this issue of the magazine inaugurates, is to reframe American history by considering what it would mean to regard 1619 as our nation’s birth year. Doing so requires us to place the consequences of slavery and the contributions of black Americans at the very center of the story we tell ourselves about who we are as a country.” While this was the goal of the articles, Woods’ goal which he successfully achieved was to take the reader through the main points of 1619 and show the historical inaccuracies and critique the work in a non-biased way. The main parts of this novel are spent looking at claims that the project made and going back to look at the historical context of the claims in the project, more specifically Wood looks at the claims by date and finds contradictions in the projects and to be effective in his rebuttable he goes to historical text himself and brings in historians to analyze the text as well.
In this review, I do not want to solely summarize the novel but rather look at the main concepts that Wood is trying to analyze and synthesize them. A goal I also have is to not look at how Wood thinks about history because it is not something that is up for interpretation (the main point that Wood is arguing). By starting the novel with the historical background the point in which I believe that Wood is trying to make is that it is much harder to reframe the way in which we think about history. Wood uses this narrative throughout the novel but most convincingly in the first and seventh chapters. These chapters take place after 1619, in 1620 and 1621, in these two chapters Wood gives the historical context of the time period while at the same time not focusing on slavery or the black experience during that time which I did find interesting since the main topic of the 1619 project is surrounding that topic.
The point that Wood is making about the difficulty of reframing history holds true and he tries to prove this throughout the novel by quoting excerpts from many historical documents to refute the claims made by Nikole Hannah-Jones. The critique that I have for this aspect of the novel is that some, not all, of the historical documents that are quoted when put against parts of 1619 are slightly taken out of context. But nevertheless, they still accomplish Woods’s goals of showing some contradictions and inaccuracies in Hannah-Jones’s work, showing that while the goal of 1619 might be along the lines of history it shows more of an opinionated journalistic style.
Some of the chapters that are worth reviewing are the ones that are in the novel placed in modern times. These chapters highlight August 2019, March 2020, January 2020, and September 2020. Wood’s use of these chapters rounds out the rest of the novel so it is not just a recount of historical events that Wood says are incorrect in 1619. In these chapters, the most important concept that Wood is showing of the present-day is the response to the 1619 project and also looking at the language that the project uses. Something that has stuck out throughout is the words that the project uses to invoke emotions, Wood highlights this “dialogue” and as he puts it is an advertisement that is “mostly of Nikole Hannah-Jones’s monologues and conversations with the like-minded.”(53) The analysis by Wood to weed out what is a conversation versus fact and what is stated on emotion as well helps his argument. This is highlighted most clearly in the chapter titled March 2020, he was writing this in July after the 1619 project was released and in the aftermath of the death of George Floyd. He continues this argument by looking at the present and seeing the emotional response to acts of racism, where Wood uses his background as an academic to see the connection between the project and these acts which he says is open for debate.
Wood does note that the project is based on an ideology that he does not share, and in the chapter about the future he looks at how to move forward after reading. Wood spends this chapter laying out his final thoughts as a form of a conclusion, and answering larger questions about what should be done in the aftermath of the project. Something that Wood is arguing that should be done is for Americans to truly understand their history and that the 1619 project is not a viable source of this education on the topic. In this chapter, a large part of what Wood is saying is that schools should not use this as a way to teach students but rather go back to what he says is the discipline of history, a part of this chapter that I believe encapsulates the true meaning of the novel comes on page 221:
Let’s take several steps back. History is not just a collection of facts about the past, nor is it just “what happened.” The study of history has standards and approved methods. It is a discipline. It is also the way in which our civilization thinks itself into existence. By means of history, we recognize how we came to be, what we are, and why that matters. The term that contrasts most strikingly with history is mythology, that is, stories of the past that express key values but that are not grounded in fact. Humanity the world over possesses mythology, but history is a cultural rarity.
Wood, Peter, 1953- author. 1620 : a Critical Response to the 1619 Project. New York, New York :Encounter Books, 2020.
By Wood explaining the difference between history and mythology, the main takeaway I had from this is while yes it is apparent that Wood does not agree with the majority of the 1619 project and the majority of the novel is spent looking at the inaccuracies and contradictions, Wood is making an example of the project. He makes it clear at the end of this novel that he does believe that black Americans have a right to be upset about the oppression that they have faced and that the country is responsible for its wrongdoings but people should accurately know their history and not rewrite it to fit a narrative that they want to believe.